±«Óătv

Dizzy Gillespie y Machito: Afro-Cuban Jazz Moods - EdexcelThe elements of music to consider

Dizzy Gillespie is considered to be one of the greatest jazz trumpeters and band leaders of all time. In 1975 he collaborated with Latin American musician Machito and his band the Afro-Cubans to create the album Afro-Cuban Jazz Moods.

Part of MusicFusions

The elements of music to consider

Structure

  • The album contains the following four tracks:
    • Oro, Incienso y Mirra - Gold, frankincense and myrrh
    • Calidoscopico - Kaleidoscope
    • Pensativo - Thoughtful
    • Exuberante - Exuberant

Each track follows a similar format to most other records - the main idea is played by the ensemble and then soloists take turns in .

Melody

Jazz records often feature the following qualities:

  • melodies are and repetitive, often with long sustained notes - Pensativo typifies this style in the head melody
  • Gillespie’s solos are influenced by and are highly complex
  • solos feature a wide range of little repetition, extremely high-pitched notes, very fast rhythms and large leaps, eg the first solo of Oro, Incienso y Mirra.

Audio of one of Gilliespie's solos in Oro, Incienso y Mirra

Rhythm and tempo

The album is rich in Latin rhythms, which can be complex and it is not uncommon for the to change in each new section. Remember:

  • the extensive use of African influences in the percussion section, examples include the percussion break in Pensativo
  • the album is founded on a traditional rhythm, as heard in Exuberante

A son clave rhythm can be heard in the extract of audio - it acts as a foundation for the band to build upon

  • the tempo ranges from a relaxed to , eg Oro, Incienso y Mirra begins with a leisurely feel and then bursts into life

Instrumentation

The music has been arranged for a big band of 27 players. The instruments include:

  • trumpets
  • trombones
  • horns
  • tubas
  • reed instruments
  • electric bass
  • electric piano
  • the large percussion section comprises of drums, congas, bongos, African drums, timpani and marimba

Timbre

Consider the following points if there is a need to discuss the of Afro-Cuban Jazz Moods:

  • Gillespie sometimes uses a trumpet to alter the sonority, eg at the opening of Oro, Incienso y Mirra, which creates a tinnier sound
  • Gillespie is always the most prominent soloist and the majority of the big band instruments are played as a collective group

Texture

The element points to contemplate are:

  • the range of textures are exploited throughout the album with sudden changes helping change the direction and feel of the music
  • the main texture of Oro, Incienso y Mirra is
  • Oro, Incienso y Mirra features the brass section performing a slow melody over which the muted trumpet - this forms
  • moments of writing such as the fanfare opening to Oro, Incienso y Mirra

Audio extract of the opening brass fanfare

  • texture is implemented in the opening to Exuberante on the double bass
  • use of between the and Gillespie's trumpet at the beginning of Calidoscopico

Tonality and harmony

The features of these elements include:

  • band experimentation with and is heard throughout the album
  • are played in the solos
  • melodies and solos use