The ±«Óãtv Writers in collaboration with Audio Drama North and ±«Óãtv Radio 3's The Verb, offered writers in our development groups the opportunity to gain a short audio drama commission. Listen to the four resulting dramas and find out more from the writers.
The Verb is a weekly "Cabaret of the Word", featuring the best poetry, new writing and performance, presented by Ian McMillan. The Verb is a longstanding collaborator with ±«Óãtv Writers, offering the chance for writers from our development groups (including Scripted, Writers' Access Group, and Voices) to garner a short audio drama commission - and also the opportunity to appear on the show.
Once selected, our alumni writers underwent an intense development process with a ±«Óãtv Audio Drama North Producer. Below, you can listen to their final audio drama productions, as well as read their experiences of the process.
The ±«Óãtv Writers alumni selected for the most recent Verb audio dramas are Amy Arnold, Alan Flanagan, Matthew Smith, and Karen Featherstone.
Listen to Kissing with Tongues, written by Amy Arnold.
"I was so happy to have my radio play selected for The Verb – KISSING WITH TONGUES was the first thing I’d ever written for radio, and I really wasn’t sure how my writing would translate given that I have mostly worked on television scripts before now. Once I got started, I found the loose brief – to simply ‘celebrate language’ – and also the tight 7-8 minute timing really focused my brain, getting me to think hard about the purpose of every word (I can sometimes tend towards verbose when left to my own devices!)
"My script editor Pippa Day was brilliant in helping me hone the finer story details, and I loved the day I spent in the studio with her and Lorna Newman, who directed the play with so much energy and enthusiasm. Hearing the actors performing my words was really special – for me it was the first time I’ve experienced that, and it gave me a renewed excitement for radio as a storytelling medium. Listening to the final edit felt so intimate and romantic - the perfect way to dive into the inner thoughts of my two characters as they mull over their feelings for one another. I’m so grateful I got the opportunity to create this piece through being part of Writersroom, and look forward to writing more for radio in the future!"
- Amy Arnold
Listen to the full episode of The Verb including Amy's introduction to Kissing With Tongues (at 44 minutes)
Listen to Something Borrowed, written by Alan Flanagan.
"Anyone who's spent more than five minutes in an Ann Summers knows that it's the fate of humanity to eventually fall in love with machines, so I decided to pitch 'Something Borrowed' -- about a dead relationship resurrected by some ungodly combination of AI and wishful thinking. I love writing for radio because there's this inherent weirdness to it, the audience with an ear cocked to their wireless (slash bluetooth headset) will pretty much sign up for anything, so it feels like a great space to explore genre stories. After getting the initial pitch accepted, I faced the agonising uphill battle of bringing an idea to life -- only kidding (I don't work down a mine), it was all smooth sailing with the wonderful producer Vicky Moseley guiding me through several drafts.
"The main challenge was getting so much story into about 8 minutes while still keeping the characters intact and interesting, but Vicky was the perfect collaborator the whole way through. Recording radio is always so much fun, and (after getting over being star-struck by meeting a former Corrie star) I was bowled over by the performances of Jenny Platt and Andonis Anthony. Andonis found the slowly growing humanity in this artificial-intelligence-turned-spurned-boyfriend, while Jenny achieved the impossible by doing an Irish accent that I, a curmudgeonly Irish person, found flawless. I can't thank Vicky, Jenny, Andonis (and Lorna Newman, and others who worked on the project) enough for allowing me to have so much fun bringing this story of literal "it's PC gone mad" to the nation's earholes."
- Alan Flanagan
Listen to the full episode of The Verb including Alan's introduction to Something Borrowed (at 32 minutes, 40 seconds)
Listen to No Smoking in the Ground, written by Matthew Smith.
"Radio is a visual medium. Well, no. But hold on...
"When I think about audible storytelling - like a podcast, radio advert or interview - the bits that stick with me are the moments where I can visualise the scene. So this was my mission throughout the writing process: write visually. Sure, write well, but for the love of God write visually.
"I committed to an idea which is specific and absurd. On the very first page of my script, a Huddersfield Town fan transforms into a donor kebab. This set the tempo. The rest of the story must evolve from this foolish imagery to keep the listener guessing and, ideally, bewildered.
"My commitment to ensuring the story was populated with lush yet unfamiliar imagery led me to expecting higher standards from my writing. It's all well and good to imagine bizarre illustrations, but none of this imagery is worth spit unless it actually means something. Therefore I interrogated the story's characters, themes, language and structure much more than I usually do; ensuring the ambitious visuals are complimented by ambitious storytelling.
"What I'm trying to say is, more radio dramas should open with a kebab mutation in the John Smith's stadium."
- Matthew Smith
Listen to the full episode of The Verb including Matthew's introduction to No Smoking in the Ground (at 13 minutes)
Listen to Ghost in the Machine, written by Karen Featherstone
"My play GHOST IN THE MACHINE was my third attempt to have my work included as part of The Verb, so I was thrilled when it got selected. In a way, having being rejected before helped, I think, as I stopped second guessing what I thought the team would like.
"I just wrote about something which had been bothering me (my increasing claustrophobia in MRI machines; I’m a disabled writer and have had a lot of MRI scans). It was a happy coincidence that the weird noises an MRI machine makes meant they were going to contribute to a rich soundscape. I’m told the sound designers got quite excited at the challenge.
"Developing the piece with the wonderful Pippa Day, and then being invited to the recording were huge factors in me feeling that this piece was going to turn out very close to how it had played in my head. There was a slight delay when we had to find the correct pronunciation of the word ‘parapharyngeal’, but the patience and dedication of Pippa, the actors and tech team paid off. It was really one of the best experiences I’ve had of my writing being produced."
- Karen Featherstone
Listen to the full episode of The Verb including Karen's introduction to Ghost in the Machine (at 22 minutes, 30 seconds)