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Bach: Brandenburg Concerto No.5, third movement - EdexcelThe elements of music to consider

J.S. Bach came from a family of successful musicians and was one of the most prominent composers of the Baroque period, writing six concertos for the noblemen of Brandenburg. Bach took on the work in the hope for employment, but the concertos took a lot longer than expected.

Part of MusicInstrumental music 1700 to 1820

The elements of music to consider

Melody

Melodies can be created by using different features which can affect such things as to how it moves and how it is articulated. In this concerto:

  • the melody builds on a two-bar subject, which is then developed into a and answer
  • the harpsichord is a rising sequence in bars 114 to 118

Harmony and tonality

These two elements can have an affect on the mood that a piece of music creates, such as:

  • a pedal is used often in the cello and double bass, from bars 11 to 104
  • the harmony is
  • are used to signal important moments, eg at the end of section A, in bar 78
A perfect cadence of A major to D major.
  • section A is in the key of D major, but modulates to A major and E major
  • section B is in B minor (relative minor of D major), modulating to F# minor, A minor and E minor

Structure and texture

The main techniques Bach features are:

  • , ie A-B-A - section B is contrasting to section A
  • the piece is - section A is fugal in particular
  • there is a texture in the first two bars
  • there are moments in section B
An example of homophonic texture

Metre and rhythm

The metre is given by the time signature usually found at the beginning of a score and so too can the tempo marking. In this piece, remember that:

  • the concerto sounds as if it is written as a gigue - in compound time - but it is written in 2/4 with lots of triplets
  • the time signature is 2/4 or simple time

Timbre

A composer will carefully select which instruments to include in a composition because they each bring their own unique colour, or timbre. Bach selected the following:

  • concertino (soloists) - flute, violin, harpsichord
  • ripieno (orchestra) - violin, viola, cello, double bass
  • continuo – harpsichord

Dynamics and tempo

Both of these elements can help control the intensity of the piece. The examples in the third movement are:

  • as is typical of the Baroque period, the dynamics are not printed
  • a harpsichord (continuo and solo role) is not capable of changing its dynamics
  • the tempo is , or quick