How to approach a script
âŠTheatre is most of all about going into the dark: to be enthralled, frightened and moved; so there has to be a huge animal unconscious below and above the text, shifting and surprising us each time we venture in to read, rehearse or watch the play.
Youâve decided to act out a scene or perhaps you have a production to stage or you have to do a scripted performance. Where do you start? Whatâs the difference between devising a performance and performing someone elseâs words?
Your starting point is looking at the script. Take your instructions from there.
What a script tells you
Youâll be given the dramatis personae or cast list. Generally that will include a brief note, indicating any crucial contextThe factors surrounding a text that help us to understand it; the background events that help to explain something. details such as a characterâs age and their profession.
The cast list from Charlotte Keatleyâs play, My Mother Said I Never Should, looks like this:
Doris Partington
Born: Oldham, February 1900. Engaged 1923, married Jack Bradley in Oldham, 1924. (Age 5 in child scenes, as in 1905)
Margaret Bradley
Born: Cheadle Hulme, April 1931. Married Ken Metcalfe in London, 1951. (Age 9 in child scenes, as in 1940)
Jackie Metcalfe
Born: London, July 1952. (Age 9 in child scenes, as in 1961)
Rosie Metcalfe
Born: Hulme, Manchester, September 1971. (Age 8 in child scenes, as in 1979)