±«Óătv

Video summary

Hannah Khalil, a Palestinian-Irish playwright, talks about the creative process she goes through when writing for the stage.

She talks about her dual heritage background, growing up the Middle East then moving to the UK, and how it spurred her on to write stories about the places her family were from.

Hannah also stresses the need to read your play out loud, as you'll hear things that you didn't know were there, and this will inspire you.

This short film is from the ±«Óătv Teach series Inside the Writer's Mind, and is supported by a free classroom resource from First Story.

.

Back to top

Teacher Notes

Before viewing

Hannah’s final piece references motherhood. Although your students are very unlikely to be parents, they should be prepared to imagine and read about situations outside of their own experience.

The protagonist in Hannah’s piece is also juggling her identity, something students will be familiar with. For example, they probably speak and behave differently with school friends compared with grandparents – and differently again with teachers.

Students could also look at how Hannah creates empathy for her character.

Remind students of the saying ‘The pen is mightier than the sword’ and discuss possible meanings. How can writing be powerful? How can writing be empowering?

Recap on plays studied in class or theatre visits.

What makes something theatrical? How are stage directions used?

After viewing

Hannah Khalil has written a play without dialogue – How effective is this? Why is it effective?

Discuss how stage directions alone can communicate a range of feelings and emotions.

Give students individual situations to portray through stage directions alone (for example, a family on Christmas morning) – can their peers guess the situation through brief stage directions?

Using Hannah’s stage directions, write the first few lines of dialogue between the mother and the second character.

Consider the texts studied in class, write a conversation between two characters.

This short film will be relevant for teaching English language at KS3 and KS4 in England, Wales and Northern Ireland and National 4 and 5 in Scotland.

Topics covered include character and plot development in narrative writing; making links to word meaning, effective punctuation and narrative structure; understanding characterisation, narrative planning, story structure, editing, proofreading and redrafting.

Back to top

Derek Owusu – Writer. video

Derek Owusu, who works across a number of genres but is perhaps best known for his fiction writing, talks about the importance of finding your voice with your creative writing.

Derek Owusu – Writer

Javid Rezai – Screenwriter. video

Javid Rezai, a British-Iranian-Italian screenwriter, offers insight into his creative process and how a collaborative writer's room works.

Javid Rezai – Screenwriter

Vicky Foster – Poet. video

Vicky Foster, who works across a number of genres but is perhaps best known for her poetry, talks through her creative process when writing and editing a poem.

Vicky Foster – Poet

Tomfoolery – Performance Poet. video

Perfomance poet Tomfoolery reveals how he first got into poetry and talks through his creative process.

Tomfoolery – Performance Poet

Maisie Chan – Children’s Author. video

Children's author Maisie Chan talks about how a lack of British East Asian and Southeast Asian representation in books spurred her on to become a writer, and gives insight into her creative process.

Maisie Chan – Children’s Author

Priya Hall – Comedian. video

Stand-up comedian and comedy writer Priya Hall talks through her creative process and gives advice on comedy writing and performance.

Priya Hall – Comedian

Ram V – Graphic Novelist. video

Graphic novelist Ram V talks about how his background influences his writing, and the collaborative and creative process of creating a graphic novel.

Ram V – Graphic Novelist
Back to top