±«Óătv

Explore the ±«Óătv
This page has been archived and is no longer updated. Find out more about page archiving.


Accessibility help
Text only
±«Óătv ±«Óătvpage
±«Óătv Radio
±«Óătv Radio 4 - 92 to 94 FM and 198 Long WaveListen to Digital Radio, Digital TV and OnlineListen on Digital Radio, Digital TV and Online

PROGRAMME FINDER:
Programmes
Podcasts
Presenters
PROGRAMME GENRES:
News
Drama
Comedy
Science
Religion|Ethics
History
Factual
Messageboards
Radio 4 Tickets
RadioÌę4 Help

Contact Us

Like this page?
Send it to a friend!

Ìę


Making History
MISSED A PROGRAMME?
Go to the Listen Again page
Making History banner
Listen to the latest editionTuesday 3.00-3.30 p.m
Vanessa Collingridge and the team answer listener’s historical queries and celebrate the way in which we all ‘make’ history.
Programme 1
2 October 2007

Listen to this programme in full

Northumbrian Rock Art

Think of pre-historic art and it’s probably the cave drawings in the Ardeche region of France; maybe Lascaux in the Dordogne or Altimira in Spain come to mind. But did you know that here in Britain we have our own, extremely important, examples of what are known as ‘cup and ring’ marks? These are concentric rings around one large, cup shaped, indentation picked out of the rock and it was Making History listener Bill Jures from Newhaven in East Sussex that stumbled across them. He was researching his family history in Northumbria and came across the ‘cup and ring’ marks of Fowberry Mains to the east of Wooler. His question to Making History was, simply “what are they?”


Making History approached Britain’s leading experts on the so-called rock-art of Northumbria: Dr Aron Mazel of the University of Newcastle and Stan Beckensall, a former teacher who has devoted forty years of his life to this subject.

From left to right: Producer Nick Patrick, presenter Vanessa Collingridge and Stan Beckensall discussing one of the cup and ring marks near Fowberry, Woole. Photo courtesy of Dr Aron Mazel
Ìę
Ìę
From left to right: Producer Nick Patrick, presenter Vanessa Collingridge and Stan Beckensall discussing one of the cup and ring marks near Fowberry, Woole.

Photo courtesy of Dr Aron Mazel

According to Stan Beckensall, the rock art of Northumbria is from the Neolithic and Early Bronze Age and unlike the impressive cave art found in France, Spain and South Africa, is entirely abstract.

Photo courtesy of Dr Aron Mazel
Ìę
Photo courtesy of Dr Aron Mazel

Stan Beckensall’s work has been digitised by Aron Mazel and can be seen at:



For a global perspective see the
Lillian Lancaster

Can you help tell us more about a young Victorian cartographer who also had a career on the stage?

Peter Barber, the Head of Map Collections at the British Library in London, contacted Making History with a plea for help. Five years ago he bought a collection of political, cartoon maps that had been drawn by someone called Lillian Lancaster. Remarkably, Lillian’s first work was published in 1869 when she was only 14 in a book called “Geographical Fun”, published by Hodder and Stoughton and written by William Harvey (who went under the name of Aleph). This was essentially an Atlas, designed in such a way as to encourage youngsters to study and remember maps of the world. Lillian’s caricatures include: England in the form of Queen Victoria; Scotland as a gallant Piper struggling through the bogs; Wales in the form of Owen Glendowr; and Russia as a bear.


Political, cartoon-map of an American election by Lillian Lancaster Copyright British Library

Political, cartoon-map of an American election by Lillian Lancaster

Copyright British Library

According to Peter Barber, a newspaper cutting describes Lillian as a music-hall artist whose act included sitting on stage and drawing the audience. We also know that her married name was Tennant and for a time she lived in Marine Parade, Brighton. The last record we have for her is in 1912 when she signed her work for someone.

Can you tell us anymore about this fascinating character? See below for more information about how to contact Making History.
When did the Great War end?

Tony Green from Ipswich in Suffolk has spent the last few years cycling around the county taking photographs. These are mainly focussed on his passion for beer, but another interest has grown on him through his travels: First World War Memorials. Tony contacted Making History with a question that has puzzled him, “why do some memorials mark the 1914-1918 war and others 1914 – 1919?”

Vanessa Collingridge travelled to Risby in Suffolk (where the memorial marks the 1914-19 war) to meet up with the former County Archivist, Gwyn Thomas, who is an expert on war memorials in Suffolk.


Risby War Memorial in Suffolk Copyright Tony Green



Risby War Memorial in Suffolk

Copyright Tony Green


Gwyn Thomas told us that there was no formally agreed plan to the erection of War Memorials. Each community would be honouring their fallen and whereas we think of the 1914-1918 war, their perspective could well have been different. He pointed out that the 11th of November 1918 was the Armistice, the war didn’t formally end until the Treaty of Versailles was signed in June 1919. Some communities may well have had inhabitants who died of their wounds after November 1918 and the 1919 date was more definite.

Gwyn was the Suffolk co-ordinator for the UK National Inventory of War Memorials which was a project run by the Imperial War Museum. Using its website, you can search the database for all war memorials commemorating all wars throughout the UK.


A Short History of the Apple


Making History’s Richard Daniel, visited the National Fruit Collection at Brogdale in Kent for a quick history of the apple from Roman times onwards and how the Elizabethans used it in cooking.

More information on Brogdale can be found at:


Contact ÌęMaking History
Use this link to: Email Making History

Write to: Making History
±«Óătv Radio 4
PO Box 3096
Brighton
BN1 1TU

Telephone: 08700 100400

Making History is produced by Nick Patrick and is a Pier Production
Listen Live
Audio Help

Making History

Vanessa Collingridge
Vanessa CollingridgeVanessa has presentedÌęscience and current affairs programmes for ±«Óătv, ITV, Channel 4, Channel 5 and Discovery and has presented for ±«Óătv Radio 4 & Five Live and a regular contributor to the Daily Telegraph and the Mail on Sunday, Scotsman and Sunday Herald.Ìę

Contact Making History

Send your comments and questions for future programmes to:
Making History
±«Óătv Radio 4
PO Box 3096 Brighton
BN1 1PL

Or email the programme

Or telephone the Audience Line 08700 100 400

Making HistoryÌęis a Pier Production for ±«Óătv Radio 4 and is produced by Nick Patrick.

See Also

Elsewhere on bbc.co.uk

±«Óătv History

Elsewhere on the web


The ±«Óătv is not responsible for the content of external sites

Don't Miss

In Our Time

Melvyn Bragg

Thursday, 9.00 - 9.45am, rpt 9.30pm
Melvyn Bragg explores the history of ideas.
Listen again online or download the latest programme as an mp3 file.



About the ±«Óătv | Help | Terms of Use | Privacy & Cookies Policy
Ìę