How do you make the Love Island villa accessible?
What would need to be done to make the Love Island villa fully accessible?
Love Island is in full swing and this year it featured its first ever physically disabled contestant. Hugo Hammond, who has just been dumped, is a 24-year-old PE teacher who was born with a club foot.
The showâs producers have previously said the villa canât be adapted for disabled contestants due the cost of insurance and "budget constraints" - and with Hugoâs disability they didnât have to change anything.
But we, at ±«Óătv Ouch, were wondering â could the Love Island villa be made accessible? And if so, how much would it cost?
±«Óătv entertainment reporter Alex Taylor, Kamran Mallick, the CEO of Disability Rights UK and access consultant Natasha Davies all get grafting to see if accessibility and Love Island can couple up â or will it lead to someone getting pied?
Presented and produced by Keiligh Baker.
Episode Transcript
keiligh -
Iâve got a text!
Ìę
[Music]
keiligh -
Hello, and welcome to the ±«Óătv Ouch podcast. Iâm Keiligh Baker. Itâs the Marmite show you either love, or love to hate. Yes, Love Island is back for its seventh season. Now personally, Iâm putting all my eggs in one basket and watching it every night, but I know itâs not for everyone. Much has been made of the fact that this year is the first time the show has featured a physically disabled contestant. Twenty-four year old PE teacher, Hugo Hammond, was born with a club foot. Heâs had lots of operations to correct it, and says himself, âYou can only really tell when I walk barefoot because I walk slightly on my tiptoes,â which has led some people to suggest itâs disingenuous to even call him disabled.
The Love Island production team previously said the villa could not be adapted for people with disabilities due to insurance costs and budget constraints, and with Hugoâs disability they havenât had to make any physical changes to the villa at all. So, we at the ±«Óătv Ouch team decided to do the hard work for them. Could the Love Island villa be made accessible so that one of us could spend the summer in Spain? Letâs find out, and letâs get grafting. Joining me on this deep dive into popular culture and reality television is ±«Óătv entertainment reporter and wheelchair user, Alex Taylor. Alex, is Love Island a bit of you?
ALEX -
Iâm not sure about that, but I think that Iâd happily actually appear on it, except it hasnât actually got access. So even if I actually wanted to I couldnât actually get there, and thatâs a bit of an issue which I think we have to talk about.
keiligh -
Iâm also joined by Kamran Malik, CEO of Disability Rights UK, and Natasha Davies who is an access consultant at the Centre for Accessible Environments. Kamran, thank you so much for joining me today. Is Love Island your type on paper?
kamran -
[Laughs] Hi, thanks very much for asking me to join you today. It isnât. I have to confess, itâs not a programme that Iâve watched. Iâm of course aware of it.
KEILIGH -
Thereâs been a big fuss made this year about one of the contestants having a physical disability. Heâs the first contestant to ever have one. Were you aware of this kind of conversation thatâs been going on the last couple of weeks?
KAMRAN -
Itâs that whole idea around kind of normalising the conversation around disabled people, and disability, not for itâs something to avoid.
KEILIGH -
Alex, you wrote a little bit about this didnât you?
ALEX -Ìę
I have, yes. So about how itâs a good angle for the team who are behind it because it helps them to handle anger thatâs actually been aimed at them about their cast and who actually kind of appears on the show. It has a certain image which it always has to appeal to. This was their way of making sure that it at least appeared on paper as if it was a bit more diverse.
KEILIGH -
Natasha, can I pull you for a chat? I know that youâre perhaps not Love Islandâs biggest fan.
NATASHA -
I was going to make a comment, I might have sort of made it a bit earlier, about sort of this hidden disability or sort of certain impairments being seen as more acceptable or maybe the application process making it almost like if youâve got a certain impairment or a certain condition then thatâs okay, but actually itâs still excluding some conditions over others, which obviously isnât right.Ìę And actually, although physical adjustments to the environment are really important, thereâs that sort of management as you go along, and the adjustments that arenât necessarily changing from stairs to a ramp, which are obviously important for some conditions, but actually hidden disabilities do often get overlooked and to make something inclusive it needs to take into account a wide range of different impairments.
KAMRAN -
Itâs always the argument isnât it? âOh, it costs too much, thatâs why weâre not going to do it,â without really thinking about, exactly as you were just describing, you can be creative in how you use the space, how you change where space is used. And so sometimes itâs about just making those changes, and those are almost no cost options, a range of changes, you know, from kind of the very basic changes to the more fancy high end based changes that you would want to make.
KEILIGH -
Alex pointed out earlier, and I think I mentioned in my intro, the fact that Hugoâs disability didnât require any access requirements, itâs almost like theyâve done a little half nod and a wink but havenât really put their money where their mouth is. And this is, you know, a show that makes absolutely millions doesnât it? I mean, itâs got all the spin off shows, itâs got all the merchandise, and it does make you think how much would it cost to make it accessible. So, moving on, what do you think would need to be done to make it accessible?
NATASHA -
So from what Iâve seen of the villa, and Iâve had a little look on a sort of virtual tour as well at some photographs, but from what Iâve seen I would say it was very inaccessible at the moment, and particularly with no real consideration for wheelchair users, but also lots of barriers for people with a physical impairment. There seem to be lots of steps across the site and also in the garden areas leading up to the kitchen. The bathrooms look too small. The bedrooms lack turning space.
So yeah, lots and lots of things that would need to change. But often we think about wheelchair access as being the first thing we think of when we think of accessibility, but really at CAE we look at inclusive design, which goes beyond simply wheelchair access and looks at accessibility and inclusion for a wide variety of people. It looked like when the location was chosen or designed it seemed like there was an assumption that was made about who would be on the show, and it seems like the accessibility features werenât considered right from the start.
And I think this is quite typical of the site in general and that itâs often the retrospective adaptations and changes that are made at a later stage, or need to be made at a later stage, that could be avoided if perhaps the production team had put thought into it from the outset, and so therefore the costs wouldnât be as great. Itâs not just the actual physical aspects of the villa, itâs actually making the show really inclusive in terms of everything else that goes on as well.
KEILIGH -
How about you, Kamran? Very, very generously you watched an episode, [Laughs] as research for this podcast. From what you could see of the villa what would need to be done to make it accessible?
KAMRAN -
Yes, so I thought before coming on here I should at least watch one episode, so I did. We mustnât forget that impairment is not just about the physical mobility aspect, there are kind of cognitive impairments, visual impairments, so everything from where there are changes in a level, for example, stairs and steps. If youâre visually impaired you might want to have colour change at the edge of the steps so that itâs obvious where they are. Having different levels of seating, different types of seating for kind of comfort. I think itâs important to have spaces where you can where itâs a bit quieter, so if you need to get away from the noise and you just need a bit of downtime because your impairment affects you and your way of managing it means that you might want some kind of space away from everybody at periods of time.
So I think there are lots of changes you can make, but before you kind of get into all of that I think almost your starting point is to say you almost want to get an actual access type audit done, someone professional who would come in and say, âYes, these are the physical environment changes we want to make. These are some of the softer things that you should be doing, like creating quiet spaces.â
KEILIGH -
Can you put a price on that? Do you have a rough idea of how much it would cost to put those adaptations in place?
KAMRAN -
Huge variants. So, for example, allocating a space, thatâs a quiet space, really thereâs no cost to that, itâs just identifying a part of the villa where you accept that thatâs going to be a quiet space, for anybody, and so that thereâs some no cost, very low and no cost options like that. Doing things like creating contrast difference, so when youâre kitting out the villa or when youâre decorating it, again relatively low cost really. So, you know, to make contrast change on steps or if thereâs glass, putting strips across to identify that thereâs glass and a barrier there. Again, these are very low cost.
I think when you get into the higher end itâs always difficult to put prices on these because it depends on the physical building itself. But if youâre looking at lifts, you know, it could be between ÂŁ10,000 to ÂŁ30,000 to put a lift in. There are different types of lift. There are through floor ones, there are different things that are available, but thatâs a very rough ballpark kind of figure of what it might take. And that ÂŁ10,000 to ÂŁ30,000 is the cost that would be for a typical home in the UK to put a through lift in.
keiligh -
So Iâve got an invisible disability which doesnât really affect my day to day mobility or anything like that, so Iâm really clueless. So just to really labour the point, how about ramps?
KAMRAN -
So again, ramps will work in certain circumstances, depending on the height difference. Gradients on ramps are really important, so youâd also need a length of space where the ramp can be, so that, you know, youâre not trying to push up Mount Everest, itâs something safe. But again, portable ramps that someone might buy, a few hundred pounds, youâre not talking extortionate costs. But looking at the image of what theyâre trying to create on the programme, what I would want to see is it built into the fabric of the environment so it doesnât stand out as, you know, hereâs a ramp for a disabled person, itâs part of the build. Itâs always going to be more expensive if youâre retrofitting adaptations in, making adjustments.
KEILIGH -
Yeah. Iâve heard that a lot, it does seem to be just so much easier and cheaper in the long run to just ensure buildings are made accessible from the start.
KAMRAN -
Yeah, absolutely. And if you just think about the advertising revenue they must be getting from it, its popularity, itâs in series seven so itâs clearly incredibly popular, and therefore the levels of income that are probably being generated through it must be, you know, more money than I can imagine.
KEILIGH -
Also, quite famously in some of the earlier seasons people were really desperate to find places to have sex, so imagine how much fun they could have in a giant wet room? You know, they wouldnât have to go in the⊠I think they went in an airing cupboard one year. Think how much more room thereâd be in a wet room.
KAMRAN -
Absolutely. And you always hear donât you, accessible toilets are much bigger.
KEILIGH -
Yes. Yes, exactly. More manoeuvrability. [Laughs]
KAMRAN -
Absolutely. Youâre looking at something like ÂŁ15,000, depending on the size and kind of facilities that youâd want in there.
Ìę
[Music]
KEILIGH -
Kamron, from your perspective, does it feel like tokenism this year, or do you think that this is a step in the right direction?
KAMRAN -
Weâre in series seven I believe. I wonder how many of the previous contestants would say that they had a hidden impairment, that maybe they just didnât talk about and so something that, you know, you canât actually see. And secondly, Hugo, I imagine was just recruited because he applied and then this issue came out. So for the producers to then say, âOh well weâre doing the right thing because weâve got a disabled person on,â it does feel a bit tokenistic if thatâs what theyâre doing. Itâs not how we should be approaching this topic, and itâs about how do we make the whole programme inclusive where disabled people genuinely feel that they could apply and be part of it. This kind of feels a bit like itâs just happened by chance.
KEILIGH -
What do you think, Alex?
ALEX -
Itâs a bit of a cop out. He himself has highlighted that actually itâs not that visible, so Iâm not really sure how much itâs offering an audience who is used to a stereotype. And I think it would actually help if after this they could really use this as an opportunity to go further. I think that they have a duty, so I think itâs a bit of a shame really that thatâs what theyâve chosen to do. Itâs a wasted opportunity.
KEILIGH -
I think as well that ties in something that producer, Beth, pointed out to me this morning, which is that no one has mentioned Hugoâs disability once on the show. So it would be great if we were in a place in the world now where disabilities were just accepted and they werenât conversation worthy, but as it is it feels slightly strange that itâs not been addressed. Is it that people donât know and Hugoâs not talking about it, which is completely his right, or is it that producers are choosing to edit out conversations the islanders have had about his disability?
natasha -
Yeah, I think the media does have a huge part to play in raising awareness, and also influencing public opinion and normalising disability and kind of moving away from that sort of stereotype. So I guess on one hand it is good that there is a disabled person who identifies as being disabled on the show, however I guess Iâd be cautious that, like we mentioned at the beginning, that the villa wouldnât be accessible for everyone, thereâs still a lot of exclusion there which does limit what awareness can be achieved.
KEILIGH -
That actually ties in with my next question, which is knowing about Hugo and his part in the show, do you think producers have done enough to accurately reflect disability in the modern dating world. Alex, I know this is a hot potato for you, a passion subject if you will, so hit us. Put all your eggs in one basket, give it to us.
alex -
Okay, well I will do. Iâm not sure if thatâs a good idea or not, Iâm not sure. But anyway, righto. I think that the show has its own audience and it understands what will fit with their image of what is physically âhotâ, in inverted commas. Hugo, you know, he has got the six pack, the sporting background, but there are also Paralympic athletes who have that as well and theyâre in the wheelchairs. I think that I can understand what they look at as their cut off point, because they donât want to rock the boat too much. Whilst itâs up to him when he opens up about it, it highlighted the extent to which itâs not really been an issue for him, like, on the show itself. So itâs a good headline, but in reality what has it actually achieved?
KEILIGH -
I think as well we canât really talk about Hugo being the first physically disabled contestant without mentioning Niall from a couple of seasons ago, who has rightly kicked off quite a bit this year after finding out that Hugo was being called the first disabled contestant, because Niall is autistic and he had to leave quite suddenly quite early on in the season after experiencing a psychotic break. Now, the strange thing about the media coverage is everyoneâs been like, âOh, Hugoâs the first disabled contestant,â you know, thatâs not actually true. So, Alex, from your perspective, do you think itâs been unfair, the media coverage, saying that Hugoâs the first disabled contestant when Niall exists?
ALEX -
It has been, but itâs actually what I expect of our media, because thereâs a lack of awareness of disability in general and thatâs because there arenât enough disabled journos in the industry. And the reporting is evidence of that lack of awareness of nuance, because I think thereâs still a stigma around calling mental or neurodiverse issues disabilities. And I think that thatâs why they havenât actually covered that in the headlines.
Ìę
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KEILIGH -
We got in contact with Love Island and a spokesman told us, âLove Islandâs only stipulation is that applicants are over 18, single and looking for love. Our application and casting process is inclusive to all, and weâre always aiming to reflect the age and diversity of our audience on the show. Were a disabled person to take part we would ensure that any reasonable adjustments required to adapt the show to their needs were in place.â They added, âWe fully supported Niall during and after he left Love Island, and in line with his and his familyâs wishes.â
Ìę
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KEILIGH -
Well, it looks like our time in our virtual villa is up. I donât know about you but Iâm desperate to start grafting my lunch. [Laughs] Thank you so much for joining me today. Donât forget to subscribe to the Ouch podcast on ±«Óătv Sounds, where youâll find hundreds of disability conversations. You can get in touch by emailing ouch@bbc.co.uk, and find us on Twitter and Facebook @bbcouch. Thanks for listening.
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