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Birds Eggs

Brett Westwood explores the role birds' eggs have played in religion, art and literature. From 2015

Beautiful, fragile, mysterious – we have always loved birds' eggs. Their colours are more of a hue, the patterning gorgeous to the eye, no wonder they have been collected from time immemorial. Eggs are a symbol of new life, a transformation that speaks to us of great truths beyond the purely biological. Easter eggs are a symbol of Christ's resurrection and were adopted from pagan beliefs about Ostara, the goddess connecting to various German Easter festivities.) The egg has been used as a metaphor for the origin of the universe in many traditions. We have used them in cooking – or eaten raw - since our time on earth. We have used the hard shell for decoration, and Faberge designed exquisite bejewelled eggs of gold and precious stones for the Tsars of Russia. A peculiar tradition of using eggs to record the varied faces of clowns arose just after WW2 when new clowns stamped their identity on the world by registering their unique features on eggs – there is now a clown egg museum. The natural variety in bird's eggs, even clutches in the same year, can be very different, is prized by collectors, determined to own the greatest diversity of any one species. Along with collecting comes money and then fraud. Pleasing to hold, beautiful on the eye, versatile in cooking, intriguing in nature, practical as well - eggs will always inspire us. From 2015

Original Producer Andrew Dawes

Archive Producer Andrew Dawes

Available now

28 minutes

Last on

Sun 28 Mar 2021 06:35

Douglas Russell

Douglas Russell is responsible for the curation of the national avian egg and nest collections as part of the team of bird group curators in the Department of Zoology at the .

In the egg and nest collection he is responsible for all aspects of curatorial care including visitors, enquiries, documentation and research on the collections to enhance their data.

Professor Tim Birkhead

Professor Tim Birkhead
is a Professor in the Department of Animal and Plant Sciences at the University of Sheffield. He has conducted a long term of study of guillemots on Skomer Island in Wales since 1972, alongside Ben Hatchwell.

He has authored and co-authored a large number of books including  and the Cambridge Encyclopedia of Ornithology.  His forthcoming book 'The Most Perfect Thing: Inside (and Outside) a Bird's Egg' is due to be published in April 2016 by Bloomsberry.

Dr Ed Connor

Dr Ed Connor
Ed Connor joined the Johns Hopkins University Neuroscience Department in 1996 and has served as Director of the since 2007.

His research focuses on neural mechanisms underlying object vision and has shown how object structure is represented by populations of neurons in higher-level visual regions of the brain. In studies funded by the Hopkins Brain Science Institute, his laboratory has investigated the neural basis of shape aesthetics.

Ed Drewitt

Ed Drewitt
is a wildlife communicator with an energetic passion for nature. He has studied the diet of urban Peregrines and has worked on colour-ringing their young.

He also works on a huge range of activities from taking schools fossil hunting to showing people wildlife from boats. He works a variety of organisations, including the and the .

Matthew Faint: "Mattie the Clown"

Matthew Faint: "Mattie the Clown"
Matthew Faint was born in Plymouth and began his career in show business in London in 1970 on productions of Hair and The Rocky Horror Show and has performed in Lesotho, in Southern Africa, and in Japan.

He began clowning 1971, working in and around London and overseas and for many years as a hospital clown. For the last 25 years he has been the curator of 's Museum and Archive at its two sites in Dalston in London and Wookey Hole in Somerset.

Professor Gavin Flood

Professor Gavin Flood
Gavin Flood is a professor of Hindu Studies and Comparative Religion at Oxford University and Academic Director of the Oxford Centre for Hindu Studies.

He has recently published , a history of inwardness in Christianity, Hinduism and Buddhism (Oxford University Press, 2014).

Kieran McCarthy

Kieran McCarthy is a director at antiques firm Wartski. His antiques research has been widely published and he is a lecturer on the subject of Fabergé. His most recent articles have focused on the use of wood in Fabergé’s work and on a missing Imperial Easter Egg.

He recently identified the original design source of the Constellation Egg. In 2010, he curated the exhibition , a private collection of Fabergé. Kieran was also instrumental in the republication of Dame Joan Evans, by Wartski in 2012.

Broadcasts

  • Tue 1 Sep 2015 11:00
  • Mon 7 Sep 2015 21:00
  • Sun 28 Mar 2021 06:35

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